Adobe Bridge can be a very useful tool in your photographic workflow. Built primarily for organisation, it
lets you view images, search, sort and much more. Bridge can be used as
a standalone file-sorting program and a companion app for other Adobe
suites like Photoshop and Lightroom or other image processors.
Although Bridge is part
of the Adobe CC, it's free to download and use independently—you'll need an Adobe account. If you happen to have an older, licensed version of an Adobe program, like
Photoshop or Photoshop Elements, you'll also be able to open and edit RAW files in Adobe Camera Raw.
In this article, we’ll go
into some of the main features and how you can use them effectively.
1. Viewing Image Files in Bridge
You can open any kind of
file in Bridge, they don’t have to be photography related, or even associated
with another Adobe software. For the purposes of this article, though, we’ll be
looking at photographs specifically.
Bridge navigates the hierarchical file systems on Windows and macOS, where folders are displayed
logically, with the one you require opening with a click. This means no lengthy
importing into a catalogue as with Lightroom – it’s displaying the information right from your
hard drive or other storage device.
2. Finder Layout
How you have your Bridge
layout will depend entirely on your own personal preferences. The great news is
that it’s very instinctive to make layout adjustments in Bridge, and you can
choose the size of your thumbnails by simply dragging that content window to
make it larger. You can also choose to have your thumbnails at the side, or at
the bottom in a film strip.
It may be that you want
absolutely everything on the screen at once, and that is possible, if a little
cluttered and confusing at times. Personally, for photo sorting, I like to keep
it simple and have the content Thumbnails visible, a large Preview area for
viewing individual photos, and then some smaller tabbed menu options like Metadata and Keywords, that I can easily flip between but aren’t showing all
the time.
3. Organise, Move, Rename, and
Delete Images
As well as being able to
easily group and move your photographs into appropriate folders, Bridge has
other useful options to help with organisation. Two of the most useful features
are a right-click copy to or move to which will display a list of favourite
and recently used folders, or allow you to choose one not listed.
This is handy if you’re
working on multiple series, or a series broken down into sub-categories. If
this applies to you, you’ll likely also find the Batch Rename option of use too.
You can see that it’s
more than just choosing a file name, you can number images sequentially, as
well as adding information like date and time. There’s a further option within
Batch Rename to move or copy to another folder, so you can do everything in one
place rather than renaming and then needing to shift images to another folder.
Deleting is how it
sounds, if you right-click on an image and hit Delete you’ll get a pop-up
warning asking if you want to send it to the recycling bin. Personally, I
wouldn’t delete anything in this way (unless perhaps the image is a complete write-off),
you’d be better off using the rating system to reject, which I’ll go into shortly.
4. Add Metadata and Information
Metadata is all of the information that might be attached to
a photograph, how it was taken, who it belongs to, and so on.
Your camera
attaches data to an image, which when you look at it—as you can in
Bridge—will tell you things like when the photo was taken, the camera and lens
it was taken with, the settings (aperture, shutter speed, ISO etc), and so on.
You can also add
your own metadata like people shown in the image, the location it was taken,
who the photograph belongs to, and anything else that might be required.
Adding metadata is good practice, but it can also be integral,
particularly if you’re handing off that image to someone for use elsewhere –
you know that all the information is going to go with it and hopefully that can
always trace back to you. Adobe have an informative article listing all the metadata
information that might be contained in an image, and a description of what
it means.
In the screenshot above, you’ll see some of the information I
mentioned. Next to Date Time Original, you’ll notice a pencil icon. That means
this information can be manually adjusted. You can add other information in
this way, like the location and any associated video or audio files.
Keywords
Keywords are an important part of a photo’s metadata because
they help with searches and can also sometimes provide more context to an image.
In the Keywords tab (which I have next to the Metadata tab in my layout above)
you’ll see some options already suggested – common things like Events, People,
Places. To add a new keyword, you can right-click and select New Keyword, or
you can click the plus at the bottom of the tab and add one that way.
5. Review, Rate and Sort Photos
If you’ve a large quantity of images then the rating system
in Bridge can be really useful. When an image is selected, under the thumbnail
in Content, you’ll see five dots. Clicking on those will apply a star rating, 1 being the least and 5 the most.
You can go through your photographs rating them from 1-5
based on whatever your needs are. For example, it might be that you only want
to select a handful of your best photographs for a publication. It could be
more complicated and you’ve shot a wedding with hundreds of pictures to go through or are putting together an album or photobook.
When you’ve rated your photographs, you can then sort them
by right-clicking and selecting Sort By Rating.
You can also achieve the same result by highlighting your
image and choosing Label from the menu.
Then, say you want to discount those with 1 star on your
first pass (I recommend you do more than one pass of your photographs in case
you change your mind on some), you can select them all easily by highlighting
them and choosing the Reject label.
Rejecting isn’t as dramatic or final as deleting. What it
essentially does is hide those images, and you can see them again at any time
by going to View in the menu and selecting Show Reject Files.
There's an art to photo editing. It's hard to find space enough from your photos to see them with fresh eyes. If you're just getting started with photography, or even if you have some experience, I suggest Amy Touchette's tutorial on how to look at and select your own photos.
Open to Camera RAW
If you have a qualifying product (a current Adobe CC
subscription) you can apply a preset to your photograph in Bridge, for
example, presets you’ve loaded into Adobe Camera Raw become available to
use.
If you don’t have a qualifying product, but do have a an older, licensed version of the software, you can instead right-click on the image and
hitting Open will
open the file in Adobe Camera RAW, where you can start processing your photo there
before outputting to Photoshop, Affinity Photo, Pixelmator, or your pixel-editing program of choice.
Adobe Bridge is a Great... Bridge
Sometimes people can dismiss Bridge because it seems like it won't be worth the effort or they don't really have use for it. If you build it into your photographic routine and use it as intended—as a bridge between shooting and processing—then it can be a very useful tool that will soon feel like second nature to use.
Even when you have a project that doesn't require the sorting or rating, Bridge is great for seeing your images full size, and comparing them easily if say, you've taken two of the same image at different exposures (you can even batch stack them in Bridge) without having to open them individually in other software.
Those who already use software with an integrated cataloguing system (like Lightroom) might prefer to stick with that, and it's true that Bridge won't be for everyone. But if you're looking to get started with a simple and affordable way to organise, sort, and view your files, then Bridge well worth giving it a go.
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Caption, Description, Title, ALT: How to Add Semantic Information to Images
How to Assess and Edit Your Photographs