In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”
Oliver Vernon’s New Body of Work Moves Away from Collage
Oliver Vernon’s New Body of Work Moves Away from Collage
In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”https://weboffers.atspace.co.uk
In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist
In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”