“Rosie no. 1.” (2016), 29.5 × 44.19 inches
In his portraits of women, Brooklyn-based painter Tim Okamura explores the human relationship to identity. His powerful works largely feature a single black woman in an exceptionally strong pose, with some pieces including natural elements like butterflies and rodents and others using graffiti reminiscent of city landscapes. Originally from Canada, Okamura “investigates identity, the urban environment, and contemporary iconography through a unique method of painting—one that combines an essentially academic approach to the figure with collage, spray paint and mixed media.” In an interview with Nailed, the artist spoke about why he began spotlighting people who are often underrepresented in art, saying he wanted a way to learn about those different from him and to question his conceptions of his own identity.
With art – you come to realize – its not just about the work, it just doesn’t end there but, who made it. Sometimes it doesn’t always line up as the viewer imagined. That part of my work I didn’t intend to be conceptual, but it has challenged people’s ideas of who can represent who through art. People can quickly sense if artwork is from a place of authenticity or not – my messages are positive and so are my representations and this is a celebration of my community.
Several recent works by Okamura are currently on view in the group exhibition Still I Rise at the Massachusetts Museum of Contemporary Art through May 25, 2020. Find the artist’s available portraits on Artsy, and follow him on Instagram.
“The Parlor,” (2019), Oil on canvas, 80 × 56 inches
“Courage 3.0”
“Revelation No. 1” (2019), Oil and acrylic on wood, 42 × 30 inches
“From the Spark Comes the Light” (2017), Mixed media on canvas, 48 × 36 inches
“Artemis”
“Stay Warm Keep it Cool”
“Presence”